Elephantine Temple

The reuse and reusing of funerary landmarks and assortments happened since the commencement of old Egypt from many rulers and aristocrats of old Egypt (which is regularly called the usurpation of the artifacts of the progenitors) - and a long way from that advanced idea of considering a few rulers ransacked the relics of their precursors and thinking of them as insatiable rulers who reused the ancient pieces Those who went before them for individual magnificence, however by and large there were loved strict purposes behind doing as such ... What occurred during the rule of King Senusret I of re-fixing old offices that were harmed, was a model that Queen Hatshepsut continued in modifying, reestablishing and fixing tremendous structures Affected offices 

On account of sacrosanct design, the demolition of strict offices and landmarks according to the antiquated Egyptian was commensurate to obliterating the inestimable world and reestablishing its maintenance and rebuilding is the reclamation of the world to the hallowed scene and the framework once more 

Very nearly a century after the removal of the Hyksos, Queen Hatshepsut expressed on the dividers of her sanctuary known as Istabl Antar, south of Minya, that these intruders didn't care for the Egyptian culture, and that she fixed what was obliterated and modified what was annihilated when the Asians were living in Awares in the Delta and he used to live among them. The drifters who annihilated what existed, on the grounds that they were administering without the god Ra. "This is the manner by which the content says, albeit numerous Hyksos lords bore the name" Ra " 

The fundamental element of the arrangement that Hatshepsut followed and afterward Tuthmosis III followed was development all through the nation .... It appears to be that Queen Hatshepsut started reestablishing the nation and kept on thinking about and change it. 

The principle objective of these sanctuary redesigns was that all rulers in old Egypt discovered crushed sanctuaries, including those worked of mud blocks from prior times ... The possibility of ​​renovation was communicated in structures that were reestablished and mostly remade, which portrays a gathering of development works during the rule of Hatshepsut. Furthermore, Thutmose III attested that this style was not created in the Eighteenth Dynasty, yet was utilized significantly sooner during the rule of King Senusret the First. 

Every one of these rulers accepted that the world that they found had been harmed to an enormous degree, so their job was to modify the crushed nation and reestablish request to it, and make and recharge structures, that is, to reestablish Maat (the inestimable framework) once more. 

Lords used to depict the decay of the current world from one viewpoint and its reestablishment then again. There were numerous highlights connecting the rule of Senusret I and the reign of Hatshepsut and Thutmose III in remaking and fixing what was harmed. 

Senusret likewise sought after a similar political and change program in the nation that his dad, Amenemhat, had taken, and Hatshepsut and Thutmose III finished it, and after them Horemheb and Seti the First Ramses II, and hence this was a convention followed, and it appears to be that Senusret I acquired this idea from his dad and kept on reconstructing the nation 

For the reasons for the regal philosophy, the decimated world was spoken to in detail as a picture that mirrors the demolished custom scene in three writings, including two writings from two elephants, one of which is a regal pronouncement composed on the mass of the sanctuary and the other is engraved on an uncommon plaque ... furthermore, the third content comes from the city of al-Toud in Luxor, the focal point of the religion of the nit "Minto" Lord War, toward the start of the rule of King Senusret the First 

The sanctuary on Elephantine was in an extremely helpless condition as per the content safeguarded on the external mass of the sanctuary where the recorded content says: "The Great Hall was a heap of rubble on the ground ... There is no information on shrewdness, no room in the sanctuary for the undertakings of ladies (priestesses), no spot For the "HM-NTR" (The Priest) ... No entryway, no entryway papers to seal the crates 

It appears to be that the regal engraving shows the genuine condition of the terrible scene in the Temple of Elephantine, and a similar data was introduced in another content of what befell this honorable structure: "A few pieces of it vanished, its dividers were demolished, and all the rooms were loaded with rubble, and the earth gulped its holiness .... and so forth 

A similar picture is comparable in a book recorded on the mass of the Temple of the Toud in Luxor during the rule of King Senusret the First: "Every one of its rooms were heaps on the ground, the blessed spot was totally failed to remember